This weekend we commemorate the victims of the Second World War in the Netherlands. We do this every year on the fourth of May, keeping two minutes silence, and on the fifth of May we celebrate freedom. Even more than seventy years after the start of German occupation of the Netherlands, remembering is a big deal. You could even say it is bigger than ever.
Like every year, there are places to remind the victims in many different places in Amsterdam. The most common place to go for the two minutes silence is Dam Square, where the most central official ceremony takes place. In hinesight I regret having gone there, it was extremely crowded and impossible to follow. Although the massive silence of thousands of people is extremely impressive.
However, the next location me and my friends decide to go to compensated the slight disappointment of Dam Square. We went to a performance called “Het hemelse leven” (The heavenly life) in the beautiful Company Theater. An interpretaion of Mahler’s fourth Symphony in music and words, by sopran Hanneke de Wit, violiste Rosanne Philippens and the Amsterdam Ensemble and amazing words by Ramsey Nasr.
The performance tells the story of conductor Willem Mengelberg, the lead conductor of the famous Concertgebouw in Amsterdam. Mengelberg was passionately in love with Mahlers music and great friends with the man as well. He made it his personal mission to bring great music, and especially Mahler to an audience as large as possible. “Art is like a sun, which should shine for all people” he says.
But of course he finds the freedom of music ends with the coming of nazi Germany, and the occupation of the Netherlands in 1940. For Mengelberg the choice between personal succes or choosing to support the ones in danger is easy. He chooses to take the offer the Germans give him, to bring music to a large audience playing all over occupied Europe during the years of war. With this he soon gives up the right to play the music of his Jewish friend Mahler and allows occupation regulations to fire his Jewish orchestra members.
The story takes us through the different parts of the Symphony, carefully taking us through the different phases of the period, from rise of the Third Reich, the capitulation of the Netherlands, the slowly building anti-semetic measures, which result in total exclusion and the disapperance of the until then so natural Jewish presence in Dutch musical life. Nasr refrains from mentioning gruwesome details but uses delicate metaphors to describe the terror. The high “d” in the second part dying away in the halls of the Concertgebouw to represent the graceful, discrete and therfor painful way the Jewish orchestra members disappeared.
Mengelberg thought music was above politics. That art was to high to be stopped by politics, that he did nothing wrong by submitting to occupation regime and he never hurt his people, he just turned to music, away from politics. But he was wrong, he was in the middle of politics, while the names of Mahler and Mendelsohn were erased from the Concertgebouw he took part in an even greater evil: He helped erase culture.
Simply breathtaking. Ramsey Nasr is in my opinion the best writer and interpreter we have in the Netherlands. A small but amazing detail, which has nothing to do with the quality of the piece, is that Ramsey is half Dutch, half Palestinian. Not something that in this post needs much emphasis, but interesting to mention.
Today, to close the weekend I visit one of the Jewish houses. Places where Jews lived before or during the war, where personal stories are shared and people are commemorated. What a strong way to remember. A house, in the Spinozastraat, where Greetje hided with her aunt and halfway the war is, for unknown reasons, is reunited with her parents in transit camp Westerbork and after that gassed in Auschwitz. Her Neighbour Max hides with a young student who, coming from a mixed marriage (Jewish, non-Jewish) reports herself as non-jewish after her parents are arrested and sent on transport. They miraculously survive.
What I learn from these stories is that who survives often is simply lucky, is extremely brave and gets help from good people. I too come from a mixed marriage like that. During the war my grandparents are both picked up at least once, kept in a prison in Scheveningen, and they survive, for unknown reasons. My grandmother has a star, but doesn’t always where it. She died, and hasn’t explained why. She must have had the luck, the bravery and or good people around them. I am here because of those three factors.
I sometimes have felt guilty for surviving. I have only one family member who was in a camp (in Indonesia). All direct relatives have fled to Switzerland and survived. What I learn from this weekend is gratitude. Gratitude for luck, for bravery and for good people. But also I feel once more an itch. Am I sometimes blinded by what I think is innocent but is in fact unjust, am I not always part of politics, whether I like it or not.
The complete text of Heavingly Life (in Dutch) is downloadable here
“Nonono that is not the way we do it here.”

I do worry about the people I see who have less to build on. I sat in the tram next to an old man this week. He was reading a letter. I didn’t mean to at first, but curiosity (and yes indecency) lead me read over his shoulder. He got a letter his allowance will no longer be provided by the 